liberation for womenthats what i preach
preacher man
"Peaches" The Stranglers
MP3 BLOG. Don't you have something more important you should be doing?





Okay, I'm not vouching for Miss Odd Kidd. As much as I'm down with west-london lipstick grime mcs, she seems a little heavy on hip and thin on talent. Plus, I think her name is dumb. She doesn't look odd at all. She looks like a hot chick with a great tan. I reserve official judgement until I hear some more of her stuff. However, I will go on the record right now saying that the chorus of this song is completely brilliant. The girl likes weed, wine and wankers. And she doesn't care who knows it. Admitting you have a problem is the first step to recovery.
Real Love is scary. You try to hide but it looks for you.

They finally got it over with and fucked each other. Well, I guess Hot Chip did most of the fucking, but Junior Boys are a very accomodating bottom. I've been waiting for this one with bated breath. Junior Boys are about to release their much-anticipated disc of So, This is Goodbye remixes, entitled The Dead Horse. I guess Hot Chip drew the long straw and got to play with one of the best song of last year. They deserve a lot of credit for resisting the urge to turn it into a dance floor banger, as we all know they could with their hands tied behind their backs. Instead, they embrace the sexy slowburn quality of the original. In The Morning never sounded so good in the morning.

This song by The Little Ones is pretty sweet. A little too sweet. Like a Mars bar. It's easy to like; all chocolate and caramel and (nougat?). But, about half-way through, you start wishing you bought the Snickers, so you could sink your teeth into a peanut or two. Well, Toronto's Crystal Castles bring the peanuts to this remix, adding the perfect amount of 8-bit crunch. You'll still get cavities, but it'll take a little longer.
Forgive me for gushing but these guys are officially my new favorite new band. And they're playing Pat's Pub on saturday night (feb 3) so don't sleep. Pretty sure this is my favorite song on the record. I love the retro prog-rock aesthetic. It could be a Yes, or Genesis or even Can song. I feel a definite prog-indie wave building (TV on the Radio, Grizzly Bear, Danielson) and I couldn't be happier. It's fun to get drunk and dance, but it's also fun to miss your ex-girlfriend and think about the nature of the universe. Maybe that's just me.
Um...first, let me be completely honest and say that I would listen to anything that these three women produced. They could play didgeridoos through delay pedals and I would try really hard to like it. (I turned 31 today and full disclosure is the new policy, even if you're not asking for it) That said, so far, it hasn't been difficult to like Au Revoir Simone. The lack of pretense is refreshing for a trio of Willaimsburg hipsters; simple, content before fashion, uncomplicated songwriting. Then there's The Teenagers, who it's harder to like, probably because they look like guys that Au Revoir Simone would date. But I don't think they're good enough. They're dirty. They look like they do a lot of coke and fuck without condoms. Plus I'm not suuuper impressed with their original material. It's a little gimicky for my taste. However, the remixes they've been putting out are spectacular, (I highly recommed the Scanners Lowlife remix on their myspace) especially this take on ARS's "Fallen Snow."
This should not work. I'm so gaga over the tender musings of Grizzly Bear right now that any outside interference should throw me into a wild rage. So, someone tell me how Girl Talk can lace one of Yellow Houses' best songs with Tears For Fears riffs, drop Clipse's Wamp Wamp on top and I'm smiling like a baby. Either Girl Talk is the new Jesus or I'm a big fat push-over.
The new LCD Sound- -system record, Sound of Silver, leaked just before christmas and, predictably, it's excellent.
Brooklyn's Grizzly Bear released an excellent second album (Yellow Houses) in the fall and I really should be posting a track from that, but I can't resist upping this beautiful rendition of the Paul Simon classic, Graceland. Yellow Houses is full of sprawling, dreamy arrangements that give way to moody indie/folk tunes. This cover is much more stripped down and straight ahead, instrumentally speaking, but you have to admire the way they bend and stretch the melody to see if they can break it. They can't.